Requiem.net.au :: Abused Child Fundraiser Art Gala
This evening's photos started with a display of wearable art
Japanese Geisha
Catwoman meets 'nam
A sombre earthen costume
This guy was completely embrassed. Probably got roped in by his girlfriend with the promise of sex
Beauty to come ...
There she is. Has a kind of African fruit thing going on
Spanish Passion. Text is inscribed under either arm, however it cannot be deduced from this photo.
Cling-wrap Creationism
Islander Beauty
The one model who refused to stand still for the camera. Man, she ain't shit.
Tales of a lost innocence; the white strips are pieces of measuring tapes
Phantom wannabe
NFI returns for a second appearance
Pamela outperforms Marilyn
Fruit Lady in all her glory. A work of art indeed.
Cling-wrap on the front ...
Not so much on the back
Some prospective art buyers. Tossers the lot of em.
Beach Trup XIVVVI
Gareth moshes. This is the painting Gareth later purchased
Pamela dazzles the camera
Your friendly art-conesiour
Clowns with varied emotions. It's ironic.
Pamela looks pretty as a picture
A very well-executed work. The use of charcoal (like) acts as if to capture the moment; the sentiment in the painting: harsh, muscular and passionate. The use of grey-scale accentuates this.
Some abstract art
"The Ugly Duckling"
Pete looks on at this beutiful painting, which shows the clear evidence of Carracci Caravaggio's usage of light technique, later employed by Georges de la Tour.
Pamela seduces the passionate picture
Stick Man, ooh yeah!
A colourful kalediscope of colour with touches of composition symmetry
Two of the wearable-art girls, Spanish Passion and Islander Beauty
Hey
Not sure what this is meant to be. Just a nice use of sky water-colours I guess
"Too much flash". It's a masterpiece!
Pictures painted by some of the abused kids. Awww. $75 a pop.
Some traditional Queeenslander homes
Pears.
A very artistic painting. The use of the cheap, curling 60's wallpaper around the fringes implies the work we see was wallpapered over by some unartistic dunderhead; whereby many years later the true work is uncovered; not entirely uncommon. The use of wood for the painting surface was also a well choosen. This painting went for around $4000, one of the most expensive on display
